Showing posts with label Ellis. Show all posts
Showing posts with label Ellis. Show all posts

Tuesday, December 7, 2010

Gods, Mutants, and Freaks: Funnybooksinreviewarego!!!

So I wanna review some funnybooks, but my day job's still kicking my ass. What's the solution? Why, Quickies, of course!

Supergod #5 (of 5)
by Warren Ellis and Garrie Gastonny

A somewhat disappointing ending to what I've been considering Warren Ellis' best work of the year. [SPOILER] Normally, I'd be okay with Krishna fighting a weird-ass manifestation of Cthulhu on Judgement Day, but Cthulhu just doesn't make sense here. And the way that the ending hinged on what was essentially a rote Ellis one-liner was just annoying. [/SPOILER] I dunno. In spite of some imaginative work in the fight sequence, it felt like he ran out of steam with this issue. That's happened with a lot of his more interesting comics of late: they start out as genuinely fascinating genre explorations, then fall apart in the final act (or, in the case of Black Summer, the second issue) with the central premise only partially paid off. Supergod fares better than most on that front; its examination of man-made gods and the super hero as the divine was fully-explored before the blow-off. It's just that the blow-off wasn't very satisfying.

This cover, though, might raise the grade by half a letter, all by itself:

click to embiggen
It would have been even better if Jerry Kraven was drinking a Coke...

Grade: B+

Tuesday, November 23, 2010

Love, Death, and Super Powers: Funnybooks in Review Are Go!!

So I’ve got this pile of week-old funnybooks sitting here on my desk, and I thought I might, like, review ‘em or something…

Highland Laddie #4 (of 6)
by Garth Ennis and John McCrea


Annie and Hughie talk things out a bit this issue, in another example of Garth Ennis turning in some really brilliant character writing. Though he’s primarily famous for extreme transgressive action/comedy, there aren’t many people in the business who write about normal human relationships as well as he does. He’s also making me like Annie January more with each passing issue. Her apparent naiveté has been slowly revealed as just a lack of cynicism, and she’s strong enough to fight for her relationship with Hughie even in the face of the frankly horrible melt-down that happened between them a few issues back. She’s also not going to give Hughie an out on the insanely hurtful things he said to her, which I was afraid she was going to accept as something she deserved. Between this, and her on-going loss of faith, Annie has become refreshingly complex over time, the best female character Ennis has ever written, and maybe the best period, of any gender. Doubly impressive coming from a writer better-known for his “guy” writing.

And she’s made even more interesting this issue, as we discover her “secret origin.” Born with super powers due to one of her parents having been exposed to Compound V, Annie grew up in a Vought-sponsored foster parenting program, and was subjected to the world of (for lack of a better term) “super pageants” as a child. It’s sort of like Jon-Benet Ramsey in tights. Except that, instead of lasting psychological scars, some of these kids wind up with melting eyeballs and such. Ugly. But also a fascinating look into the super-culture, and how Vought prepares and packages their supes pretty much from birth, but gives them zero guidance on how to conduct themselves. It’s no wonder so many of them are messed up. And amazing that Annie turned out as good as she did.

Annie’s also more than a little suspicious about how Hughie got the surveillance tape of the Seven’s HQ, so I suspect that we’ll be getting another round of confessions soon. She also brings up a really good point: Hughie doesn’t have it in him to say some of the things he said to Annie when they broke up. So… What, exactly, is going on here? The answer, for the reader, is obvious: Butcher. He wound Hughie up pretty badly just before the confrontation, putting Annie’s secret-keeping in the worst possible light and making Hughie seem like a gigantic fool for not seeing through her. And though I think Butcher believed every word he said, and that he thought he was doing it for Hughie’s own good… Damn. What a bastard. Hughie’s even seen through what he did, too: before leaving for Scotland, he asked Butcher, point blank, if he’d seen the tapes of Annie before he set Hughie up to find them. He took Butcher at his word then, but if Annie’s gotten through to him as much as I think she has… Butcher’s going to be dealing with a very angry wee man when Hughie gets back to New York.

Tuesday, September 28, 2010

FUNNYBOOKSINREVIEWAREGO!! AGAIN!

So I guess I should finish my funnybook review catch-up. Just in time for you not to be able to find any of these books at the funnybook store tomorrow because they all sold out...

Astonishing X-Men: Xenogenesis #3 (of 5)
by Warren Ellis and Kaare Andrews

Can I just go on record as saying that I freaking love this cover?

(please oh please click to embiggen)

It has absolutely nothing (NOTHING!) to do with what happens inside. There's barely even any reference to Emma licking people, much less the insane (yet somehow wholesome) fetish sex foreplay we're seeing here. I mean, just look at that: humans-as-furniture fetish, food fetish, kinky-boot fetish, Crystal Gayle fetish, that whole thing with the tongue, whatever the hell's going on with the boob window and visible bra cups... And that's not even getting into Cyclops' whole scruffy bohunk trucker-hat thing he's got going on there. Seriously, man. What. The. Fuck! Such an hysterical, unsexy parody of every horrible, gratuitous "sex sells" funnybook cover on the racks. It's bloody perfect! Kudos to Kaare Andrews for putting that one together.

And then the story, of course, is all about helpless African children getting slaughtered by their own government. Ouch.

Tuesday, June 15, 2010

FUNNYBOOKSINREVIEWAREGO!!

It's last week's comics today! FUNNYBOOKSINREVIEWAREGO!!

SHIELD #2
by Jonathan Hickman and Dustin Weaver

This second issue of Jonathan Hickman’s SHIELD is the first Marvel work from him that reads like a Hickman comic to me. It’s got all the hallmarks of his Image work: strange sci-fi ideas, genuinely weird characters, an obsession with history, long discussions of philosophy and plot, and a willingness to break traditional comics narrative with pages of script-style dialogue accompanied by representative illustrations. It’s also my favorite of his Marvel work to date, which says a few things about what it was that attracted me to Hickman’s work in the first place.

Artist Dustin Weaver also really knocks this issue out of the park. He’s very good at drawing strange technology and panoramic architecture, I like his inventive layouts in the action sequences, and I can see hints of both Brent Anderson and George Perez in his work. He’s got room to grow, certainly, but this is fine stuff.

All in all, a very satisfying issue for me, and a guarantee that I’ll be back for more.

Grade: B+